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Los ritmos juegan una parte importante en esta ecuación y los tamboreros practican asiduamente por años para poder tocar los intricados ritmos correctamente. Esto es importante porque los tambores realmente le hablan a los Orishas debido a que el lenguaje yoruba es tonal, y los tambores han sido afinados de forma que toquen las diferentes tonalidades de la lengua Yoruba.
For the same cause a politician the moment mentioned that “in Cuba The person who does not have an ancestor from your Congo has a single from Carabalí…”
Los orishas solo raramente montan a un aleyo o persona que no ha sido iniciada al sacerdocio, y en esas ocasiones usualmente señalan a esta persona como una persona que necesita ser iniciada en la religión como sacerdote o sacerdotisa.
En una antigua y acogedora casa, en el Paseo Peatonal Mompox, se conserva y transmite de lunes a sábado la esencia tradicional de Cuba, haciéndole homenaje a la Salsa, el Son y el Cha Cha Chá con música en vivo a cargo de Armando Quintana y alrededor de eight músicos más que ponen a bailar y a gozar.
The orishas only not often mounted an aleyo or person that has not been initiated into the priesthood, and on these events typically say this person for a one who should be initiated into the religion being a priest or Priestess.
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Por la misma razón un político una vez que señaló que ” en Cuba el hombre que no tiene un antepasado del Congo tiene uno de Carabalí … ”
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The dance or dance also will become prayer in the religious context of a bembé. The movements with the dance are a similar actions which were connected to the Orishas for A large number of a long time.
Now the saint dances frenetically into the defeat from the drums which incite him to further frenzied motion.
The ceremony resounds to your seem on the “atabales” (tambourine performed at parties). The “batás” drums defeat incessantly. The “güiros” provide more track record for the choir of voices which raises its chant to the dwelling area in the “orishas”.
That is unquestionably the situation at El Bembé, given that the band performs, Oscar de Leon’s “Llorarás y Llorarás” you see Fred and Ginger like partners theatrically strutting from just one aspect of the dance ground to a different, flaunting extravagant fox trot footwork, twirling and swaying. We sit nervously looking at every go, sipping our mojitos, should the criollo